France
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"Oh what a tangled web we weave, when first we practice to deceive."
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Be careful whom you let into your home. Escaping the madness of city life in Paris, a teacher, Vincent, and his wife, Marie, move to a farm in the south of France with their son in hopes of a quieter life. But the craziness they have left behind may be more welcome once one of Vincent's students, Thibault, intrudes upon the family's life, begins an affair with Vincent's wife, and becomes the catalyst in a failing marriage.
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The young Elias builds his own, alone, unarmed, made from scavenged parts collected in landfills in their region. With this bike he will embark on the long journey to the capital, and engage in the race of his life.
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"Soon it became evident that the camera was almost totally uninhibited by the usual complications that come with changing position in the midst of shooting." - Richard Leacock, Cahiers du Cinema 1959
Master filmmaker Richard Leacock delighted and challenged audiences when he received the Cinequest Maverick Spirit Award in 2001. Director Jane Weiner has spent almost four decades celebrating Leacock?s work through film.
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Very few directors have run the gamut of crafting beautiful and haunting dramas (The Big Blue), magical family fantasies (Arthur and the Invisibles) and edgy, action-packed thrillers (The Professional, The Fifth Element). But Luc Besson effectively accomplishes each with a serious passion for the cinematic art form.
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Jack steals paintings from museums to feed himself, but when the museums are closed...
This short film precedes the film Theatre Svoboda.
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The screenings of Ricky on Leacock have been replaced by screenings of La Camera Passe-Partout - A Documentary Film Legacy.
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It's funny—or not.
There's a chateau in a beautiful wooded part of the country, full of the strangest group of guests you can imagine. And all they want, every last one of them, is to die. Meet Dr Kruger (Aurelien Recoing). His clinic cum hotel is the last word in customer satisfaction; your last wish is his command. But this is a one-way clinic: there are no return customers. Taking "assisted dying" to surreal if not absurd lengths, this very black comedy is further proof that Belgian cinema can always be counted on to be just a little bit - different.